Sound Engineering & Acoustic Design for Concert Halls: Free e-book.

Discover how acoustic engineering for concert halls transforms spaces into unforgettable sound experiences. This free guide from Audiotek is packed with insights for venue directors, students, and audio enthusiasts. Learn the secrets behind world-class acoustics – and how to avoid the mistakes that make even expensive venues sound disappointing.

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A Free E-Book for Students, Venue Managers, Audio Professionals and Enthusiasts.

In too many performance spaces, audio comes last. But great sound isn’t just a technical requirement—it’s part of the emotional architecture of a show.

Sound Engineering for Concert Halls is your entry point into the world of performance audio—designed to be useful whether you’re just starting out, refreshing your skills, or geeking out over the finer details of acoustic design.

Written by Chris Kmiec BEng MISCVE, this guide brings together decades of experience designing world-class audio systems for large venues. It’s practical, grounded in acoustic theory, and packed with insights you can apply—whether you’re starting out or refining a major project.

Sound doesn’t just fill a space. It defines the experience.

What's inside the E-Book?

This guide to acoustic engineering for concert halls explores how thoughtful design creates unforgettable sound experiences. From avoiding common pitfalls to understanding the nuances of acoustics in large spaces, it’s an essential read for anyone passionate about sound.

Acoustic Fundamentals
Understand reverberation, diffusion, spatial intelligibility, and RT60—explained clearly, without oversimplifying.

Designing for Performance Types
From classical to amplified music, musical theatre to spoken word—learn how to design for clarity, dynamics, and impact in each format.

Emotional Sound Design
Explore how to create audio systems that do more than project sound—they create emotional connection. We cover tuning philosophy, reverb shaping, and audience experience.

Architectural Integration
Find out how to avoid the “looks great, sounds awful” trap by involving sound designers early and often.

Accessibility and Inclusion
Designing for every audience member matters. Learn strategies to make sound accessible, inclusive, and evenly distributed.

Best Practice
Learn how to approach an audio project in a large concert hall space. Considerations, checks and standards

Chapter by Chapter

Chapter 1 - Understanding Acoustics

Covers the fundamentals of sound waves, propagation, and acoustic behaviour in different environments, forming the foundation of sound engineering principles.

Explores sound absorption, diffusion, and reflections, detailing how hall shapes and materials influence acoustics and audience perception.

Examines how acoustic requirements differ across performance genres, from classical music to rock concerts and multi-purpose venues.

Discusses how architectural styles and materials affect acoustic performance, offering insights into designing for optimal sound quality.

Architectural design for auditoriums has evolved over many thousands of years. this chapter looks at some of the leading styles and how they affect acoustic design.

Focuses on designing for inclusivity, including hearing loops, assistive listening systems, and audio description technologies to enhance audience accessibility.

Explains techniques for optimising speech clarity and intelligibility in lecture halls, theatres, and conference venues.

Details strategies to enhance natural reverberation and tonal balance, ensuring an immersive listening experience for orchestral and chamber music.

Addresses the complexities of amplifying rock and contemporary music, including speaker placement, feedback management, and mixing techniques for balanced sound.

Musical theatre presents unique challenges to audio design as it often combines music and spoken word, this chapter reviews the nuances of acoustic design for musical theatre performances.

Speaker technology has advanced to such an extent in the past decade that the choice, quality and flexibility has improved exponentially. This chapter discusses different speakers and their use in auditorium spaces.

This chapter explores the need for noise dampening, it’s uses and the different solutions available.

Provides practical guidance on designing and optimising sound systems, from speaker selection to calibration for different venue types.

Chapter by Chapter

Whether you’re studying acoustic engineering for concert halls or simply fascinated by how sound behaves in performance spaces, this eBook gives you a behind-the-scenes look at the principles shaping some of the world’s most prestigious venues.

Chapter 1 - Understanding Acoustics

Covers the fundamentals of sound waves, propagation, and acoustic behaviour in different environments, forming the foundation of sound engineering principles.

Explores sound absorption, diffusion, and reflections, detailing how hall shapes and materials influence acoustics and audience perception.

Examines how acoustic requirements differ across performance genres, from classical music to rock concerts and multi-purpose venues.

Discusses how architectural styles and materials affect acoustic performance, offering insights into designing for optimal sound quality.

Architectural design for auditoriums has evolved over many thousands of years. this chapter looks at some of the leading styles and how they affect acoustic design.

Focuses on designing for inclusivity, including hearing loops, assistive listening systems, and audio description technologies to enhance audience accessibility.

Explains techniques for optimising speech clarity and intelligibility in lecture halls, theatres, and conference venues.

Details strategies to enhance natural reverberation and tonal balance, ensuring an immersive listening experience for orchestral and chamber music.

Addresses the complexities of amplifying rock and contemporary music, including speaker placement, feedback management, and mixing techniques for balanced sound.

Musical theatre presents unique challenges to audio design as it often combines music and spoken word, this chapter reviews the nuances of acoustic design for musical theatre performances.

Speaker technology has advanced to such an extent in the past decade that the choice, quality and flexibility has improved exponentially. This chapter discusses different speakers and their use in auditorium spaces.

This chapter explores the need for noise dampening, it’s uses and the different solutions available.

Provides practical guidance on designing and optimising sound systems, from speaker selection to calibration for different venue types.

Who is it for?

This guide was created for anyone who wants to create unforgettable sonic experiences in large spaces:

  • Students of acoustics and AV design – get a head start with practical context and technical clarity.
  • Venue and cultural centre managers – learn how to commission better systems and make informed decisions during builds or refurbishments.
  • Architects and planners – discover how to integrate sound into your space without compromising design.
  • Sound and AV professionals – refresh your approach with deeper strategies and up-to-date tools.
  • Audio lovers and enthusiasts – geek out over real-world system tuning, emotional sound design, and the impact of acoustic choices.

No jargon. No gatekeeping. Just useful, well-explained insight—whether you’re new or seasoned.

Technical Details:

Title: Sound Engineering for Concert Halls
Author: Chris Kmiec BEng MISCVE
Publisher: Audiotek Ltd
Format: PDF (downloadable and web-embedded)
Length: 88 pages
Topics
: Acoustics, audio design, AV systems, concert halls, accessibility

About the Author:

Chris Kmiec BEng MISCVE

Chris is UK General Manager at Audiotek and a passionate audio engineer with a background in Audio Media Engineering and Acoustics from the University of Surrey and Salford University. With a career spanning prestigious concert halls, theatres, clubs, and stadiums, Chris combines deep technical expertise with a relentless curiosity for the evolving science of sound. Known for his immersive system designs and innovative acoustic problem-solving, he’s a self-confessed audio nerd committed to making every venue sound as remarkable as it looks.

Audiotek - Chris Kmiec BEng MISCVE author of Sound Engineering for Concert Halls

Foreword By:

Frank Murray, Founder & CEO Audiotek

Frank is one of the best known audio and visual designers in the world. With over 40 years in the industry he has designed AV installations for some of the worlds most iconic venues covering a huge range of sectors. Trusted throughout the industry he founded Audiotek in 1983 and developed it into the highly respected team of exceptional AV talent it is today. 

Frank Murray, Founder, CEO - Audiotek

Ready to level up your knowledge of acoustic engineering for concert halls? Download the free guide and explore the techniques Audiotek uses to transform venues into acoustic masterpieces.