Sound Engineering for Concert Halls: free e-book.
Read online or download below – no sign-up required.
Discover how to design audio for large concert spaces so they sound as good as they look. This open-access guide is packed with expert insights, real-world experience, and acoustic strategies for concert halls and auditoria.
You can read Sound Engineering for Concert Halls in full right here using the embedded viewer below.
Prefer to read offline or share it with your team? Just click the download icon in the toolbar to save your copy.
No sign-up. No spam. Just open-access insight from the field.
You can read Sound Engineering for Concert Halls in full right here using the embedded viewer below.
Prefer to read offline or share it with your team? Just click the download icon in the toolbar to save your copy.
No sign-up. No spam. Just open-access insight from the field.
Accessibility Notice
This e-book is embedded as a PDF with full-screen viewing and download options. For those using assistive technology and need a plain text or tagged version, please contact us and we’ll send it directly.
Chapter by Chapter
Chapter 1 - Understanding Acoustics
Covers the fundamentals of sound waves, propagation, and acoustic behaviour in different environments, forming the foundation of sound engineering principles.
Chapter 2 - The Science of Acoustics in Concert Halls
Explores sound absorption, diffusion, and reflections, detailing how hall shapes and materials influence acoustics and audience perception.
Chapter 3 - The Impact of Performance Type on Aacoustics
Examines how acoustic requirements differ across performance genres, from classical music to rock concerts and multi-purpose venues.
Chapter 4 - Architectural Impact on Sound Properties
Discusses how architectural styles and materials affect acoustic performance, offering insights into designing for optimal sound quality.
Chapter 5 - Architectural Style Impact on Sound
Architectural design for auditoriums has evolved over many thousands of years. this chapter looks at some of the leading styles and how they affect acoustic design.
Chapter 6 - Accessibility
Focuses on designing for inclusivity, including hearing loops, assistive listening systems, and audio description technologies to enhance audience accessibility.
Chapter 7 - Sound Design for Spoken Word
Explains techniques for optimising speech clarity and intelligibility in lecture halls, theatres, and conference venues.
Chapter 8 - Sound Design for Classical Music
Details strategies to enhance natural reverberation and tonal balance, ensuring an immersive listening experience for orchestral and chamber music.
Chapter 9 - Sound Design for Contemporary Music
Addresses the complexities of amplifying rock and contemporary music, including speaker placement, feedback management, and mixing techniques for balanced sound.
Chapter 10 - Acoustic Design for Musical Theatre
Musical theatre presents unique challenges to audio design as it often combines music and spoken word, this chapter reviews the nuances of acoustic design for musical theatre performances.
Chapter 11 - Speaker Systems for Concert Halls
Speaker technology has advanced to such an extent in the past decade that the choice, quality and flexibility has improved exponentially. This chapter discusses different speakers and their use in auditorium spaces.
Chapter 12 - Noise Dampening & Acoustic Treatments
This chapter explores the need for noise dampening, it’s uses and the different solutions available.
Chapter 13 - Sound Engineering Best Practices
Provides practical guidance on designing and optimising sound systems, from speaker selection to calibration for different venue types.
Technical Details:
Title: Sound Engineering for Concert Halls
Author: Chris Kmiec BEng MISCVE
Publisher: Audiotek Ltd
Format: PDF (downloadable and web-embedded)
Length: 88 pages
Topics: Acoustics, audio design, AV systems, concert halls, accessibility
A Free E-Book for Students, Venue Managers, Audio Professionals and Enthusiasts.
In too many performance spaces, audio comes last. But great sound isn’t just a technical requirement—it’s part of the emotional architecture of a show.
Sound Engineering for Concert Halls is your entry point into the world of performance audio—designed to be useful whether you’re just starting out, refreshing your skills, or geeking out over the finer details of acoustic design.
Written by Chris Kmiec BEng MISCVE, this guide brings together decades of experience designing world-class audio systems for large venues. It’s practical, grounded in acoustic theory, and packed with insights you can apply—whether you’re starting out or refining a major project.
Sound doesn’t just fill a space. It defines the experience.
What's inside the E-Book?
Sound Engineering for Concert Halls includes:
Acoustic Fundamentals
Understand reverberation, diffusion, spatial intelligibility, and RT60—explained clearly, without oversimplifying.
Designing for Performance Types
From classical to amplified music, musical theatre to spoken word—learn how to design for clarity, dynamics, and impact in each format.
Emotional Sound Design
Explore how to create audio systems that do more than project sound—they create emotional connection. We cover tuning philosophy, reverb shaping, and audience experience.
Architectural Integration
Find out how to avoid the “looks great, sounds awful” trap by involving sound designers early and often.
Accessibility and Inclusion
Designing for every audience member matters. Learn strategies to make sound accessible, inclusive, and evenly distributed.
Best Practice
Learn how to approach an audio project in a large concert hall space. Considerations, checks and standards
Who is it for?
This guide was created for anyone who wants to create unforgettable sonic experiences in large spaces:
- Students of acoustics and AV design – get a head start with practical context and technical clarity.
- Venue and cultural centre managers – learn how to commission better systems and make informed decisions during builds or refurbishments.
- Architects and planners – discover how to integrate sound into your space without compromising design.
- Sound and AV professionals – refresh your approach with deeper strategies and up-to-date tools.
- Audio lovers and enthusiasts – geek out over real-world system tuning, emotional sound design, and the impact of acoustic choices.
No jargon. No gatekeeping. Just useful, well-explained insight—whether you’re new or seasoned.
About the Author:
Chris Kmiec BEng MISCVE
Chris is UK General Manager at Audiotek and a passionate audio engineer with a background in Audio Media Engineering and Acoustics from the University of Surrey and Salford University. With a career spanning prestigious concert halls, theatres, clubs, and stadiums, Chris combines deep technical expertise with a relentless curiosity for the evolving science of sound. Known for his immersive system designs and innovative acoustic problem-solving, he’s a self-confessed audio nerd committed to making every venue sound as remarkable as it looks.
Foreword By:
Frank Murray, Founder & CEO Audiotek
Frank is one of the best known audio and visual designers in the world. With over 40 years in the industry he has designed AV installations for some of the worlds most iconic venues covering a huge range of sectors. Trusted throughout the industry he founded Audiotek in 1983 and developed it into the highly respected team of exceptional AV talent it is today.
Chapter by Chapter
Chapter 1 - Understanding Acoustics
Covers the fundamentals of sound waves, propagation, and acoustic behaviour in different environments, forming the foundation of sound engineering principles.
Chapter 2 - The Science of Acoustics in Concert Halls
Explores sound absorption, diffusion, and reflections, detailing how hall shapes and materials influence acoustics and audience perception.
Chapter 3 - The Impact of Performance Type on Aacoustics
Examines how acoustic requirements differ across performance genres, from classical music to rock concerts and multi-purpose venues.
Chapter 4 - Architectural Impact on Sound Properties
Discusses how architectural styles and materials affect acoustic performance, offering insights into designing for optimal sound quality.
Chapter 5 - Architectural Style Impact on Sound
Architectural design for auditoriums has evolved over many thousands of years. this chapter looks at some of the leading styles and how they affect acoustic design.
Chapter 6 - Accessibility
Focuses on designing for inclusivity, including hearing loops, assistive listening systems, and audio description technologies to enhance audience accessibility.
Chapter 7 - Sound Design for Spoken Word
Explains techniques for optimising speech clarity and intelligibility in lecture halls, theatres, and conference venues.
Chapter 8 - Sound Design for Classical Music
Details strategies to enhance natural reverberation and tonal balance, ensuring an immersive listening experience for orchestral and chamber music.
Chapter 9 - Sound Design for Contemporary Music
Addresses the complexities of amplifying rock and contemporary music, including speaker placement, feedback management, and mixing techniques for balanced sound.
Chapter 10 - Acoustic Design for Musical Theatre
Musical theatre presents unique challenges to audio design as it often combines music and spoken word, this chapter reviews the nuances of acoustic design for musical theatre performances.
Chapter 11 - Speaker Systems for Concert Halls
Speaker technology has advanced to such an extent in the past decade that the choice, quality and flexibility has improved exponentially. This chapter discusses different speakers and their use in auditorium spaces.
Chapter 12 - Noise Dampening & Acoustic Treatments
This chapter explores the need for noise dampening, it’s uses and the different solutions available.
Chapter 13 - Sound Engineering Best Practices
Provides practical guidance on designing and optimising sound systems, from speaker selection to calibration for different venue types.
About the Author:
Chris Kmiec BEng MISCVE
Chris Kmiec, UK General Manager of Audiotek, graduated from the University of Surrey having studied Audio Media Engineering, and attended Salford University where he studied acoustics. Chris is a dedicated audio engineer and self-confessed “audio nerd,” who has honed his craft working on some of the world’s most prestigious concert halls and entertainment venues. From designing immersive sound systems to solving complex acoustic challenges, his career reflects a relentless passion for sound.
Chris’s expertise spans every conceivable type of audio performance type, from live performance in concert halls, theatres, nightclubs and even sporting arenas. His work often combines traditional acoustic principles with the latest advancements in audio technology to create spaces that enhance every note, word, and sound. When he’s not engineering remarkable audio experiences, Chris enjoys delving into the ever-evolving science of acoustics, continually pushing the boundaries of what’s possible in sound engineering.
Foreword by:
Frank Murray, Founder & CEO Audiotek
Frank is one of the best known audio and visual designers in the world. With over 40 years in the industry he has designed AV installations for some of the worlds most iconic venues covering a huge range of sectors. Trusted throughout the industry he founded Audiotek in 1983 and developed it into the highly respected team of exceptional AV talent it is today.
Testimonials
Add testimonial description here. Edit and place your own text.
John Doe
Codetic
Add testimonial description here. Edit and place your own text.
Jane Doe
Codetic
Add testimonial description here. Edit and place your own text.
John Doe
Codetic
Add testimonial description here. Edit and place your own text.
John Doe
Codetic
